Wolfgang Heimbach
c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640
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Wolfgang Heimbach Nocturnal banquet oil painting


Nocturnal banquet
mk150 1640 62x114cm
Painting ID::  39713 		Wolfgang Heimbach
Nocturnal banquet
mk150 1640 62x114cm
   
   
     
Wolfgang Heimbach Portrait of Ulrik Frederik Gyldenlove, Count of Laurvig oil painting


Portrait of Ulrik Frederik Gyldenlove, Count of Laurvig
Date 1600s Medium Oil cjr
Painting ID::  81953 		Wolfgang Heimbach
Portrait of Ulrik Frederik Gyldenlove, Count of Laurvig
Date 1600s Medium Oil cjr
   
   
     
Wolfgang Heimbach Der Kranke oil painting


Der Kranke
1669 Medium Oil on copper Dimensions Deutsch: 24 x 19 cm (Oval) cyf
Painting ID::  82794 		Wolfgang Heimbach
Der Kranke
1669 Medium Oil on copper Dimensions Deutsch: 24 x 19 cm (Oval) cyf
   
   
     
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     Wolfgang Heimbach
     c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640

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